Where to Watch How Art Made the World the Art of Persuasion

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've ever taken an art history form or spent fourth dimension in a fine arts museum, chances are you lot know a lot well-nigh the men who "defined" their mediums. As with other subjects, most of what we acquire about fine art history today all the same centers on white men from Europe and, later on, the United States. In reality, in that location are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at only some of the women who have had lasting impacts on their art forms. From some of the art world'south near iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a hand — in irresolute the earth of fine fine art and how nosotros define information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman's Untitled Film Stills (1977–lxxx). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps nigh well known for her series of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of diverse generic female film characters, amongst them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'southward influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a motion picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Urban center in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You lot might first think of Yoko Ono as a musician and activist, only she's besides an accomplished performance and conceptual artist. Ono was considered a pioneer in the functioning fine art motility, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a performance she beginning staged in Nippon; Ono sat on stage in a nice arrange and placed scissors in front end of her, and, in an act of daring vulnerability, invited audition members to come on stage and cutting abroad pieces of her habiliment. "Fine art is like animate for me," Ono has said. "If I don't practice it, I kickoff to choke."

Betye Saar

Betye Saar's Black Daughter'southward Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective inverse her unabridged career trajectory — and, in plow, part of the trajectory of fine art history.

Saar was part of the Black Arts Motion in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the flim-flam is to seduce the viewer," Saar has said. "If you lot tin can get the viewer to wait at a work of art, then yous might be able to give them some sort of message."

Frida Kahlo

People expect at Frida Kahlo'due south 1939 painting Las Dos Fridas at the Globe Forum of Civilisation in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A cocky-taught painter from United mexican states, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded equally one of the virtually influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's also known for her hyper-real sculptures, polka dots, installations, and and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale skin tones — equally she was the start Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you probable associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York Urban center. In the 1920s, she was the commencement woman painter to gain the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best creative person in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question guild, identity, and racial politics by enervating the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed every bit a Black human with a simulated mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Urban center in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to written report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that deed as meditations on diverse concepts, such every bit trauma, knowledge, and hope. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'due south fine art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe creative person, she works to heighten awareness effectually the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the first Ethnic woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation fine art and sculptures — similar the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Honey, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop fine art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early on Feminist Art motion. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and civilisation — in the 1970s and earlier. While at California Country University in Fresno, Chicago founded the first feminist fine art programme in the The states.

Augusta Savage

Augusta Roughshod with 1 of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Barbarous founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Blackness American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just look up her most famous work, Interior Scroll, and you'll see what nosotros mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this await similar an Andy Warhol to y'all? Well, that'south the idea! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-correct copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's terminal public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a mode that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes teaching is the path to liberation and uses VR and fine art to accost global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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